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In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert’s correspondence, the work of literary critics, and Jean-Paul Sartre’s analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.
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Keywords
- European History
- Jurisprudence & general issues
- Law
- legal history
- Literary studies: c 1800 to c 1900
- Literary studies: general
- Literature & literary studies
- Literature: history & criticism
- Literature: history and criticism
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBF Literary studies: c 1800 to c 1900
- thema EDItEUR::L Law::LA Jurisprudence and general issues::LAZ Legal history
Links
DOI: 10.7298/e0ae-fe76Editions