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Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.
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Keywords
- Gender studies, gender groups
- Gender studies: women
- Literary studies: c 1800 to c 1900
- Literary studies: general
- Literature & literary studies
- Literature: history & criticism
- Literature: history and criticism
- Sex and sexuality, social aspects
- Social groups
- Society & culture: general
- Society & Social Sciences
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBF Literary studies: c 1800 to c 1900
- thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls
Links
DOI: 10.7298/sjtk-3290Editions