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Monographic study of the gold ground in Italian panel painting. Analyzes the art historiographical use of the term in the 20th century. "Gold ground" and "perspective" are not thought of as oppositional. For example, Fra Angelico is shown to develop strategies for perspective representation from within the gold ground. Notes theological, philosophical, and historico-scientific sources.
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Keywords
- Art forms
- Gold ground
- History of art & design styles: c 1400 to c 1600
- History Of Art / Art & Design Styles
- History of art: Byzantine & Medieval art c 500 CE to c 1400
- Medieval Art
- Painting & paintings
- perspective renaissance
- Renaissance Art
- The arts
- thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style
- thema EDItEUR::6 Style qualifiers::6R Styles (R)::6RC Renaissance style
- thema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and painting
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
Links
DOI: 10.1515/9783422800533Editions