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Mongol Court Dress, Identity Formation, and Global Exchange

Mongol Court Dress, Identity Formation, and Global Exchange

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The Mongol period (1206-1368) marked a major turning point of exchange – culturally, politically, and artistically – across Eurasia. The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe. This book will be of interest to scholars in art history, fashion design, and Asian studies.

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Keywords

  • Asian history
  • Colonialism & Imperialism
  • History
  • History Of Art / Art & Design Styles
  • History: specific events & topics
  • Humanities
  • Regional & national history
  • The arts
  • The arts: general issues
  • thema EDItEUR::A The Arts::AB The arts: general topics
  • thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
  • thema EDItEUR::N History and Archaeology::NH History::NHF Asian history
  • thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTQ Colonialism and imperialism

Links

DOI: 10.4324/9780429340659

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