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This collection of essays stands as the first volume of the new Eurasiatica series entirely devoted to the vast territories of Iranian culture, understood in the widest sense possible and in an open chronological perspective. Explicitly refusing any fetishization of particularism, it contains fourteen studies organized in thematic pairs: a sequence of interrelated itineraries exploring several heterogeneous borderlands – from Avestan philology to film studies – starting from plural, competing and coexisting ideas of Iran.
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