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Ibsen at the Theatrical Crossroads of Europe
Gianina Druta
2024
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While Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign acting and staging traditions influenced the Romanian Ibsenites provides new insights into mechanisms of aesthetic transmission. Thus, this study presents a European theatre landscape whose unpredictability and uniqueness cannot be confined to essentialist interpretations.
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Keywords
- Cultural history
- Digital humanities
- Henrik Ibsen
- History of Theatre
- Literature
- Romance Studies
- Romania
- Slavic studies
- Théâtre
- Theatre and Performance
- Theatre Studies
- thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
Links
DOI: 10.14361/9783839470183Editions