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Accidental Archivism
Añulika Agina, Hadi Alipanah, Gaby Babić, Lynhan Balatbat-Helbock, Erika Balsom, Marie Sophie Beckmann, Mareike Bernien, Amrita Biswas, Sema Çakmak, Sonia Campanini, Erica Carter, Özge Çelikaslan, Filipa César, Didi Cheeka, Vaginal Davis, Madhusree Dutta, Tamer El Said, Almudena Escobar López, Mariia Glazunova, Ulrich Gregor, Olena Goncharuk, Karola Gramann, Veena Hariharan, Mohammad Shawky Hassan, Shai Heredia, Tobias Hering, Grazia Ingravalle, Ritika Kaushik, Philipp Dominik Keidl, Julita Pratiwi, Lisabona Rahman, Ivanna Khitsinska, Hieyoon Kim, Laura Kloeckner, Merle Kröger, Asja Makarevic, Nils Meyn, Petna Ndaliko Katondolo, Rebecca Ohene-Asah, Volker Pantenburg, Nikolaus Perneczky, Francesco Pitassio, Constanze Ruhm, Heide Schlüpmann, Alexandra Schneider, Girish Shambu, Marc Siegel, Can Sungu, Clarissa Thieme, Mila Turajlić, Ravi Vasudevan, Simone Venturini, Ala Younis, Stefanie Schulte Strathaus (editor), Vinzenz Hediger (editor)
2023
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In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force. Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema.
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Keywords
- activism
- archivism
- Cinéma
- Digitality
- Film theory & criticism
- Film, TV & radio
- Films, cinema
- Library & information sciences
- Library, archive & information management
- media ecology
- Media Studies
- Pandemic
- Reference, information & interdisciplinary subjects
- repositories
- Society & culture: general
- Society & Social Sciences
- The arts
Links
DOI: 10.14619/0535Editions