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Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is the first to examine so-called Non-Human Living Sculptures using the examples of Hans Haacke and Pierre Huyghe. Following a re-reading of the historiography of modernist sculpture, the author re-evaluates and expands on existing theories in individual work analyses. She shows how Haacke’s real-time systems, determined by US systems theory, biology and cybernetics, as well as his rejection of the object aesthetic have shaped contemporary positions such as Huyghe’s situational-aesthetic works.
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Keywords
- 20th century
- 21st century
- Art
- art and ecology
- contemporary art
- Hans Haacke
- Non-Human Living Sculptures
- Pierre Huyghe
- sculpture
- temporary art works
- thema EDItEUR::A The Arts::AB The arts: general topics
- thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGT Public art
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
Links
DOI: 10.1515/978311102715Editions