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Time and Causality in Early Modern Drama
Linc Kesler
2024
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The opening of the first commercial theatre in London in 1579 initiated a pattern of development that radically reshaped representation. The competition among theatres required the constant production of new works, creating an interplay between the innovations of producers and the rapidly changing perceptions of audiences. The result was a process of incremental change that redefined perceptions of time, action, and identity. Aristotle in the Poetics contrasted a similar set of formal developments to the earlier system of the epics, which, like many predecessors of early modern drama, had emerged from largely oral traditions. Located in the context of contemporary relations between the academy and Indigenous communities, Time and Causality in Early Modern Drama: Plotting Revenge traces these developments through changes in the revenge tragedy form and questions our abilities, habituated to literacy, to fully understand or appreciate the complexity and operations of oral systems.
The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
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Keywords
- 16th century literature
- 17th Century Literature
- Aristotle
- Drama
- Early modern literature
- Hamlet
- Marlowe
- Narrative
- Nietzsche
- Othello
- Shakespeare
- thema EDItEUR::D Biography, Literature and Literary studies::DD Plays, playscripts::DDA Classic and pre-20th century plays
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights
- Titus Andronicus
Links
DOI: 10.4324/9781032724355Editions