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Zwischen Gott, Mensch und Teufel

Zwischen Gott, Mensch und Teufel

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In the wealth of early modern portrayals of the devil as a fear-inducing monstrosity, narrative realizations that take a strangely different path stand out. This includes the staging of the diabolical enemy as a latent danger. This study examines the function of image-text combinations that sought to increase their impact in terms of the vigilant observation of the devil through their specific design.

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DOI: 10.1515/9783111323152

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