Sound-Worlds of Central Europe explores the sound-world of early modern Silesia via the writings of humanists active there in the sixteenth and seventeenth centuries who both observed musical culture and actively participated in it: a poet, a publisher, a pedagogue, a physician, a historian, and a regionalist. Such an approach makes it possible to reconstruct their perceptions and understandings of music—a constitutive element of this community. As these authors concentrated more on the representation of music than the art itself, the book reflects the collective memory of the republic of scholars: their individual and common imaginarium.

This book is included in DOAB.