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Religious Dissimulation and Early Modern Drama

Religious Dissimulation and Early Modern Drama

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Examining how playwrights from Shakespeare to Marlowe represented religious dissimulation on stage, Kilian Schindler argues that debates about the legitimacy of dissembling one's faith were closely bound up with early modern conceptions of theatricality. A fascinating study for scholars of early modern theatre, religion and politics alike. This title is also available as Open Access on Cambridge Core.

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DOI: 10.1017/9781009226295

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