Explore
The sculpture Norma was created in the USA in the 1940s in the field of tension between what something is and what something should be. Around eight decades later, the Israeli choreographer and director Saar Magal thematises Norma in her dance piece 10 Odd Emotions. Stefanie Hampel first looks at the materialisation of what was considered ‘normal’ at the time and analyses the sculptures Norma and Normman by Abram Belskie and Robert Latou Dickinson from 1943. Against the backdrop of Saar Magal's piece 10 Odd Emotions, the author explores the questions of what deconstructive, media-specific potential theatre has here and how human bodies are (re)arranged on stage.
This book is included in DOAB.
Why read this book? Have your say.
You must be logged in to comment.
Rights Information
Are you the author or publisher of this work? If so, you can claim it as yours by registering as an Unglue.it rights holder.Downloads
This work has been downloaded 2 times via unglue.it ebook links.
- 2 - pdf (CC BY-NC-ND) at Unglue.it.
Keywords
- Ambivalenz
- ATD
Links
DOI: 10.5771/9783689001391Editions