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This study is the first to present a source-critical biography and vocal profile of the singer Marianne Pirker (1717?–1782). Pirker's career is continuously reflected against the background of the production system of the 'opera seria' in the 18th century.
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Keywords
- Cultural history
- Geschichtswissenschaft
- history of music
- Italian opera 18th century
- italienische Oper 18. Jahrhundert
- Kulturgeschichte
- Marianne Pirker
- Mobilität
- mobility
- Musicology
- Musikgeschichte
- Musikwissenschaft
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002)
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Geschichte, Archäologie (601) -- Geschichte, Archäologie (6010) -- Geschichtswissenschaft (601008)
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024)
- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024)
- ÖFOS 2012 -- HUMANITIES (6) -- History, Archaeology (601) -- History, Archaeology (6010) -- Science of history (601008)
- ÖFOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002)
- opera networks
- opera singers
- Opernnetzwerke
- Opernsänger:innen
- Science of history
- symbolic capital
- symbolisches Kapital
- Thema Klassifizierung -- Kunst (A) -- Musik (AV) -- Musikgeschichte (AVM)
- Thema Subject Codes -- The Arts (A) -- Music (AV) -- History of music (AVM)
Links
DOI: 10.36202/9783826081903Editions