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The book combines Marxist analysis with feminist and posthumanist methodology to analyse the relation between ‘societal dressage’ and ‘bodily animality’ that humans and animals share. Within this original theoretical framework, the book develops the concept of ‘dressaged animality’ as a mode of critique to analyse the social and political function of a selection of interdisciplinary forms of ‘contemporary performances’ from the 1960s.
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Keywords
- Animals
- art history
- Art theory
- Contemporary performance
- Dressage
- Dressur
- Feminist theory
- feministische Theorie
- Kunst
- Kunstgeschichte
- Kunsttheorie
- Marxist analysis
- Marxistische Analyse
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019)
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunsttheorie (604020)
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Theaterwissenschaft (604029)
- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019)
- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art theory (604020)
- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Theatre studies (604029)
- posthumane Theorie
- posthumanist theory
- The arts
- Theaterwissenschaft
- Theatre Studies
- Thema Klassifizierung -- Kunst (A)
- Thema Subject Codes -- The Arts (A)
- Tiere
- Zeitgenössische Performance
Links
DOI: 10.4324/9781003439639Editions