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The poetry collections considered can be included in the so-called neo-avant-garde aesthetic. The first part of the study is devoted to the main thematic cores of the Chilean neoliberal discourse, such as technicism, apoliticism, the weakening of the state and the freedom of the subject. At the same time, we indicate the realisations implied by such a panorama, for example through consumerism, visual culture and urban space. The phenomenological-receptive approach to the texts is directed towards the enucleation of the lyrical effects. The poetic images and lyrical resources are considered in relation to the possible implications they might have on a subject in contact with a pervasive neoliberal environment.
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Keywords
- Alexis Figueroa
- Enrique Lihns El Paseo Ahumada
- Eugenia Brito
- Neoliberalism
- Poetics
- Raúl Zuritas Anteparaíso
- Shifting Sands
- Soledad Fariña
- thema EDItEUR::C Language and Linguistics::CF Linguistics
- via publica
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DOI: 10.5771/9783487171036Editions
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