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The People We Watch explores the politics of contemporary media production from the point of view of the ordinary people it represents.
Based upon a series of in-depth interviews and the author’s own professional experience of working in the television industry, this book examines how documentary contributors feel about participating in the media and the ways they are portrayed, considering how their experiences take shape within the structural context of the cultural industries.
This insightful text will interest scholars, students, and researchers in media and communication, sociology of the media, documentary studies, and film studies, as well as those studying the cultural industries, media production, creative labour, and cultural policy.
This book is included in DOAB.
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Keywords
- Capitalism
- Casting
- creative industries
- Cultural industries
- Cultural labor
- Cultural labour
- Documentary
- Documentary contributors
- Fly-on-the-wall
- Media Ethics
- Participation
- thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFR Documentary films
- thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture
- thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT2 Media studies: TV and society
- thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBL Sociology: work and labour
- thema EDItEUR::N History and Archaeology::NH History
- TV
- Working practices
Links
DOI: 10.4324/9781003568971Editions
