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The research project aims to make the occult visible as a component of Viennese modernism. It connects to a
research context that understands occultism and esotericism not as opposed to modernism, but rather as
concepts of knowledge that promoted it. Unlike Berlin, Munich and Leipzig, Vienna around 1900 has been little
researched in this context to date. This study remedies this research gap by examining an extensive and
disparate corpus of texts in detail for the first time.
This book is included in DOAB.
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