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How can the dichotomy between body and language be overcome by means of the performing arts? What does the art of performing contribute to philosophical, ethical, and political thinking today? This book is a study of the body and language on the stage. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience. The way a performer imagines their body in performance breaks with body–language dichotomies, so language and body can be conceived as co-original phenomena, beyond their anthropomorphic framing. Once we recognize the native relationship between body and language, we can acquire an evolutive perspective which reaches beyond ontological or transcendental paradigms, towards a more linguistic and corporeal coexistence of diverse beings. This book shows how radically different the universe appears when conceived through the performing body. It addresses artists and philosophers alike.
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Keywords
- Art
- body
- Contemporary
- Language
- Performance
- performing art
- Théâtre
- thema EDItEUR::A The Arts::AB The arts: general topics
- thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art
- thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies::ATDC Acting techniques
- thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics
- thema EDItEUR::U Computing and Information Technology::UG Graphical and digital media applications::UGN Digital animation
Links
DOI: 10.4324/9781003449041Editions