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Musicians and copyright
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Musicians and Copyright examines the development of collective management organizations (CMOs) from the mid-19th century to the present day. Edited by Véronique Pouillard, Marius Buning, and Mala Loth, this book explores the history of CMOs, which play a pivotal role in the music industry by securing copyright revenues for artists. It provides a comprehensive overview of the origins and evolution of CMOs, their responses to technological advances, regulatory changes, and geopolitical shifts. Chapters offer case studies of different CMOs, highlighting issues such as membership, classification, language, and the challenges of registration and distribution. By examining the inner workings and social infrastructure of these institutions, the book sheds light on how CMOs shape the distribution and consumption of music in different historical, cultural, and legal contexts.
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Keywords
- 19th century legal history
- 20th-century legal history
- American poetry
- Apothegm
- Artists' rights
- BIEM
- CISAC
- collecting societies
- Collective management organisation
- Collective management organizations (CMOs)
- Collective rights management
- copyright history
- Copyright Law
- Creative IPR
- Cultural history
- David Lehman
- GEMA
- History of copyright
- Intellectual property
- John Ashbery
- music industry
- music rights
- Organizational forms
- Pasternak
- Rights management
- Sexuality
- technological change
- thema EDItEUR::L Law::LA Jurisprudence and general issues::LAZ Legal history
- thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law
Links
DOI: 10.7765/9781526180162Editions