Explore
The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras’ films, and how they relate to her female-centred perspective.
This book is made open access as part of the Knowledge Unlatched KU Open Services
This book is made open access as part of the Knowledge Unlatched KU Open Services
This book is included in DOAB.
Why read this book? Have your say.
You must be logged in to comment.
Rights Information
Are you the author or publisher of this work? If so, you can claim it as yours by registering as an Unglue.it rights holder.Downloads
This work has been downloaded 450 times via unglue.it ebook links.
- 43 - pdf (CC BY-ND) at OAPEN Library.
- 260 - pdf (CC BY-ND) at Unglue.it.
Keywords
- BICAPFA
- BICAPFB
- BICAPFN
- BICHPN
- BICJFSJ1
- BISACPER004030
- BISACPER004040
- BISACPHI001000
- BISACSOC010000
- Cinéma
- Duras
- Europe
- Female
- France
- Geographical Qualifiers
- KUnlatched
- Marguerite
- Marguerite Duras
- Media & Communications
- Michelle Royer
- Multisensoriality
- Performing Arts
- Performing Arts / Film & Video
- Performing Arts / Film & Video / Direction & Production
- Royer
- Subjectivity
- Western Continental Europe
Editions
