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Music: Its Theologies and Spiritualities
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This volume is an exploration of the varied and sometimes unrecognized ways in which music—especially in ritual contexts—can serve as both a spiritual conduit as well as a theological source. With topics ranging from a Congolese choir in Ireland to the Orthodox chant in Georgia, from postmodern reflections on new Passion compositions to reflections on the sacramentality of Black gospel music, this volume offers a rich plumbing of very diverse yet well researched musical traditions—case studies from around the globe—for their spiritual and theological contributions.
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Keywords
- 21st century music
- Aesthetics
- African American
- Annunciation
- Anton Webern
- asylum-seeker
- chant
- Charismatic Prayer Meeting
- choral music
- Composition
- Confessing Church
- creativity
- Culture
- custom
- Dance
- demythologization
- Dietrich Bonhoeffer
- Dionysios the Areopagite
- exegesis of tradition
- funeral
- Georgian chant
- German modernism
- gospel
- Gustav Mahler
- Hebrew Bible
- History
- Ireland
- James MacMillan
- Jeremy Begbie
- Karl Barth
- keen
- Korean migrants
- liminality
- Michael Symmons Roberts
- migration
- Music
- Oral tradition
- Orthodox theology
- Passion
- Polyphony
- Postmodernism
- Praise and Worship
- refugee
- Ritual
- sacramentality
- sacred music
- Secularization
- Singing
- sonority
- Speaking/Singing in Tongues
- spirituality
- The arts
- the Congo
- the sacred
- thema EDItEUR::A The Arts::AV Music
- theoartistry
- Theodor Adorno
- Theology
- Tradition
- wake
- wellbeing
Links
DOI: 10.3390/books978-3-03943-594-4Editions